Future Exhibitions

Sidney vanNeerden, Throwing Stones, 2024, Silver Gelatin Print from 35 mm negative, 11 x 7.5 inches

Emerging Curatorial Platform Exhibition at John William Gallery opens in October

Emerging Curatorial Platform Exhibition at John William Gallery opens in October John William Gallery is pleased to announce its upcoming exhibition curated by the newest Emerging Curator, Roselyn Walsh. Zoe Elwood and Sidney vanNeerden: Life in Still opens on October 19 and continues through December 17, 2026. Opening Reception, Friday, November 6, 2026, during Art Loop from 5:30 – 8:00 PM, John William Gallery, 1313 N Market Atrium, Wilmington, DE

Zoe Elwood and Sidney vanNeerden capture the fleeting movements of life, nature, and emotion in their artwork. They illuminate instability through natural forms as seen in black-and-white prints and photographs. Intentional disruption exists with both artists as they manipulate their environment: in black-and-white, time is suspended.

Across the collection, organic forms meet geometric structures, creating a dynamic dialogue between the irregularity of nature and the discipline of human construction. Curved edges, flowing lines, and natural contours are balanced by carefully considered angles and architectural forms, allowing each work to feel both grounded and refined.

Zoe Elwood uses black-and-white lithograph and monotype prints paired with charcoal works to depict personal stories. Many of the works involve layers of different images printed atop one other. This repetition forces slower, more intentional viewing. The work asks for connection and an appreciation of the fleeting, and sometimes unpleasant, aspects of life.

Sidney vanNeerden connects humanity with nature in black-and-white photography. To capture lost moments, she invites the viewer to take a lingering breath and appreciate the surrounding world. Each piece portrays water as it has been disturbed. The reflection of the trees and sky ripples over the water as it is manipulated. The viewer is absorbed into nature as they imagine themselves throwing stones.

Life in Still encourages the viewer to consider and appreciate the broader inhabited world. The instability of each moment seems frozen in time; behaving as both eternal calm and chaos. Where Elwood depicts tiny moments that seem to soothe every growing storm, vanNeerden captures all the movement at once before it resolves. Together, the works urge the viewer to imagine the stills expanded into full scenes. Often lost in our own lives, Elwood and vanNeerden bring the beauty of our shared environment to the foreground, centering it for our reflection and appreciation.

Egevaerk, Light of the North, 2026, from the High Coast in Sweden, digital photo, 19 x 13 inches (48.2 x 33 cm)

At the Edge: Photographs by Mette Bentzen, Matt Kresling, and Lasse Kristensen

John William Gallery announces its newest exhibition in collaboration with the Wilmington Film Festival, At the Edge. The exhibition opens Friday, October 2 and continues through Sunday, October 11, 2026. Opening reception and film screening take place Wednesday, October 7, 2026, 5:30 – 8:00 PM. The reception is free and open to the public; film screening is a “pay as you wish” to help support our artists and our mission. John William Gallery, 1313 N Market Atrium, Wilmington, DE.

Curated by Kathrine Page, At the Edge invites us to experience the natural forms, contours, and tones of the Scandinavian and Great Lakes landscapes through the lens of documentary filmmaker Matt Kresling and Danish artists Mette Bentzen and Lasse Kristensen. In collaboration with the Wendell Castle Workshop, HB381 Gallery, New York, and the Wilmington Film Festival, the artists present photographs that document and interpret elements of their work created during their artist-in-residency at the Wendell Castle Workshop.

The residency became a critical exploration of the deep geographical and cultural connections between the two continents. Working along the shores of Lake Ontario, the artists searched for stones that embodied qualities central to their practice: a reverence for nature in transformation, an awareness of water’s ancient and shaping force, and an appreciation for the mystery and paradox inherent in the sea. They ultimately selected rocks whose fluid contours revealed the incremental effects of tides and whose visible strata suggested the slow thaw of a disintegrating glacier. Inspired by these specimens, they created two large-scale, stack-laminated, hand-carved sculptural furniture works, measuring four and five feet in height.

This exhibition of photographs documenting the residency draws on a visual language shaped by an aesthetic connection to glacial formations and landscapes of confluence and exchange. It explores emotional intersections and celebrates the threshold where atmosphere and materiality meet. The photographs reflect shared characteristics of the landscapes of Denmark and the Great Lakes region, while highlighting the creativity that emerges from this geographical kinship. Further, At the Edge celebrates the role of intuition as a catalyst for artistic discovery and breakthrough. At its heart, the exhibition offers a meditation on the collaborative residency that brought together furniture designers and filmmakers in an exploration of landscape, material, memory, and place.

Accompanying At the Edge exhibition during the Wilmington International Film Festival is the documentary film, Path, by Matt Kresling in partnership with Nordic filmmakers in Denmark. Path documents the design team Egevaerk’s journey from Denmark to their five- week residency of artistic discovery in Rochester, NY where they designed, built, and crafted sculptures in the workshop of the late legendary artist Wendell Castle. Far from the Danish traditions and expectations that had shaped their craft to this point, they set out to find their own path. This is a film about craftsmanship and the courage to break with the familiar and the forces of nature – an avenue far greater than us all.

Bios
Danish designers Mette Bentzen and Lasse Kristensen founded the design studio Egeværk in Copenhagen, Denmark and were trained at the rigorous Danish joinery PP Møbler. They have been recognized internationally for their thoughtful contributions within contemporary Danish design and furniture making. Both Bentzen and Kristensen have achieved the highest level of recognition within the Danish guild system and their studio has received numerous awards for excellence, including the Carpentry Prize (Kirsten and Freddy Johansens Foundation and the Copenhagen Carpenters' Guild), the Danish Design Award (Best in Arts & Crafts), and the Peter, Ingrid and Ralph Hernoe Honorary Grant. In addition, Kristensen was selected as the winner of the Danish and Nordic championships in cabinetmaking and has represented Denmark in the World Cup in Japan, for which he received the Mærsk Grant and the Poul & Gurli Madsen Grant. Egeværk’s works are in the collections of the Trapholt Museum, Imagine Museum, Lune Rouge Collection, and the collection of Thierry Barbier-Mueller.

Matt Kresling is a documentary filmmaker and interdisciplinary artist who creates documentaries, music videos, short feature films, and two-dimensional drawings. He maintains a studio in Rochester, NY.



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